Johannes brahms - anne-sophie mutter , berliner philharmoniker , herbert von karajan - konzert für vi
Brahms has been considered, by his contemporaries and by later writers, as both a traditionalist and an innovator. His music is firmly rooted in the structures and compositional techniques of the Classical masters. While many contemporaries found his music too academic, his contribution and craftsmanship have been admired by subsequent figures as diverse as Arnold Schoenberg and Edward Elgar . The diligent, highly constructed nature of Brahms's works was a starting point and an inspiration for a generation of composers. Embedded within his meticulous structures, however, are deeply romantic motifs.
Brahms was a a devout student of the Bible, if unconventional in his beliefs. After the death of his mother, he wrote the renowned Ein deutsches Requiem (A German Requiem, 1867), a title intended to convey that the work was not a Latin liturgical requiem mass or a German version of it, but a personal response to death. Although adopting biblical texts for the requiem, Brahms excluded conventional Christian confessions in the work and even remarked that he would be willing to substitute the word "human" for "German" in the title. 
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